NEWS:

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1983 solo show - 'Me and My Family' - click image to view catalogue:

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Peter Darach showed paintings and drawings at the Megan Piper gallery.

His first solo exhibition in nearly 35 years and his first exhibition at a commercial gallery.

02 – 22 November 2017

First Floor, 41 Dover Street, London W1S 4NS

www.meganpiper.co.uk

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My first book was written in response to finding a dream fragment (in a note by Anne Darach seven years before she died) in which she embarked on THE BITTER SHIP at 10 to 4, the exact time of her death.

Four other books have followed; fiction although naturally mostly true.

Though independent they are in a way sequential.

THE SHORT STRAW includes THE WASTED DAY.

And THE ANGEL MAKER includes THE LOST PICNIC.

NOW THIS is a work in progress marking out the pointlessness & absurdity of a quest for certainty.

Below are links to extracts from these works.


Click here to go to Horde of Angel Maker.

Click on the image to see a full size version of the illustration.


Click here to go to Stick of Short Straw.

Click on the image to see a larger image of the painting.


Click here to go to Angel of Wasted Day.

Click on the image to see a larger image of the pastel.


Click here to go to Third section of Bitter Ship.

Click on the image to see a full size version of the illustration.


Temptation of St. Anthony

Click here to go to Sleet of Short Straw.

Click on the image to see a larger version fo the painting.


Click here to go to Gwimilo of Wasted Day.

Click on the image to see a full size version of the illustration.


Looking on Picture

Click here to go to Monkey of Angel Maker.

Click on the image to see a larger version of the painting.


Click here to go to Merry-go-round of Lost Picnic.

Click on the image to see a full size version of the illustration.


Click here to go to Androphagoi of Wasted Day.

Click on the image to see a full size version of the illustration.


Lover's Table

Click here to read a note about the Wasted Day.

Click on the image to see a larger version of the painting.